Storyboard artist and illustrator
for film and television.

You’ve got a vision.
Or maybe just a half-sane hallucination sketched on the back of a diner receipt at 3AM.

You’re off to a great start.

Now comes the next step.

You write like a possessed man [or woman, or whatever you fancy calling yourself] who found the Holy Grail in a truck stop bathroom and decided to turn it into a screenplay. First draft? No draft. Call it first exposition. An explosion. Either way, you buckle your seatbelt and light the match.

Then you alchemize your words into tangible form. You need to draw it all. Not polite doodles or pretty little portraits. The good stuff. The kind of visual voodoo that grabs your eyeballs, rattles your molars, and whispers secrets in your sleep.

Together we’ll turn your steps into a run for their lives. It’s the real deal.

No trouble is too much.
We come in all types:
Producers who’ve seen too much.
Directors who eat chaos for breakfast.
Cinematographers who light the shot like they’re setting fire to the last sunset.

Every genre is an escape with ten fake passports and a typewriter full of sins.

Let’s get to work.

Raise hell and kiss the muse full on the mouth.

It’s about time we leave something behind that’ll either win an award or get banned in five countries.

— Paulo DeFreitas Jr

Paulo DeFreitas Jr on IMDB

If the proof’s in the pudding… this one’s laced with bourbon, battery acid, and something the chem lab still can’t identify.