Storyboard artist and illustrator
for film and television,
offering visual storytelling,
narrative design,
and visual consultation.


I drag dreams out of hiding,
pour ‘em a double shot of espresso,
and draw until they scream.

You’ve got a vision—
or maybe just a half-sane hallucination sketched on the back of a diner receipt at 3AM.

You’re off to a great start.

Now comes the next step.

Drawing. Not polite doodles or pretty little portraits.
The good stuff—the kind of visual voodoo that grabs your eyeballs, rattles your molars, and whispers secrets in your sleep.

Writing. Like a man possessed who found the Holy Grail in a truck stop bathroom and decided to turn it into a screenplay.

First drafts? No first drafts. Call them first explosions. Buckle your seatbelt and pass the matches.

There’s an IMDb page.
The real deal.
And if the proof’s in the pudding, this one’s laced with bourbon, battery acid, and something the chem lab still can’t identify.

No trouble is too much.

Producers who’ve seen too much.
Directors who eat chaos for breakfast.
Cinematographers who light the shot like they’re setting fire to the last sunset.

Every genre is an escape with ten fake passports and a typewriter full of sins.

Let’s get to work.

Raise hell and kiss the muse full on the mouth.

It’s about time we leave something behind that’ll either win an award or get banned in five countries.

—Paulo

on IMDB